
Click on image to enlarge
Nearly all of the photos in my posts can be enlarged by clicking on them. Some even enlarge more if you click again.
The links here are pretty tame, but I have no control over where these links may lead you. So if you are under 18 years old or might get upset by almost anything, either be very careful or click here.
And please leave comments.
FROM JACK
Think it's worth a transatlantic trip to see Dame Judi Dench, live and in person, and speaking Shakespeare's verse? I'd say yes.
Last fall, I read on one of the London theatre blogs that Dame Judi would be playing Titania in "A Midsummer Night's Dream" at the Rose Theatre in Kingston on Thames, suburban London. Lo and behold, that meshed perfectly with the trip we were planning. After some emails to the most-friendly Rose box office, we found that tickets would go on sale to the public (they have a big subscription base) on line on a Monday morning -- middle of the night Pensacola time. We did what was required and ordered the tickets. Less than a week later, we had them in hand.
Titania is, of course, not the largest role in the "Dream." But Dame Judi makes you think it is. We had seen her before live in contemporary drama but never in Shakespeare. What a privilege. She speaks the verse like no other actor I have ever seen. Unforgettable.
She and her director, Sir Peter Hall, agreed to this limited engagement at the two-year old Rose in Kingston to help the theatre survive -- bless them. It was a sell-out engagement and, according to our London friends, the hottest ticket in town.
A memorable theatrical finale to our trip. We won't soon forget any part of our afternoon in Kingston.
FROM JACK
Critically acclaimed when it premiered at the National Theatre's Olivier Theatre in 2008, War Horse was then brought back for a second season. In 2009, it transferred to the New London Theatre in Drury Lane (longtime home of Cats) where it continues to attract sell-out business.
Scene from War Horse at the New London Theatre
The play tells the story of a boy and his horse during World War I. But it's much more than that. The full-sized horses are created with astonishing puppetry. After ten minutes or so, you forget they aren't real. The amazing figures were created by the South Africa-based Handspring Puppet Company.
It is quite a wonderful evening. New York City will see it in early 2011 at Lincoln Center's Vivian Beaumont Theatre. Stephen Spielberg recently acquired the rights for a motion picture version.
Yet another home run for the National, the English-speaking world's premier theatrical company.
FROM JACK
As it approaches its fifth birthday at the Victoria Palace Theatre in London, Billy Elliot is looking good. Maybe it's not the best British musical ever (as some have said). Still, it's a potent piece of musical theatre with a rousing score by Elton John and Lee Hall (who also wrote the book and the film on which the show is based).
We saw a fine Billy named Ollie Gardner. But from what I've heard, each and every Billy (four boys rotate) is outstanding. West End star Joanna Riding is splendid as Billy's dance teacher and the entire cast does the show proud. We left the Victoria Palace that Saturday afternoon with big smiles. Thanks, Billy.